Author Archives: Attention to the Unseen
Music: Jon Hassell — ‘Dream Theory’
Jon Hassell: Dream Theory in Malaya is titled after a paper by a visionary anthropologist, Kilton Stewart, who in 1935 visited a remarkable highland tribe of Malayan aborigines, the Senoi, whose happiness and well-being were linked to their morning custom of family dream-telling — where a child’s fearful dream of falling was praised as a gift to learn to fly the next night and where a dream-song or dance was taught to a neighboring tribe to create a common bond beyond differences of custom.
The Semelai are another tribe not far from the Senoi but who live in the largest swamp area of Malaya. A recorded fragment of their joy-filled watersplash rhythm was re-structured and became the generating force for the composition, Malay, as well as providing a thematic guide for the entire recording.
Music: Jon Hassell — ‘Blue Period/Light On Water’
How Yitang Zhang rose from obscurity and a disadvantaged youth to mathematical celebrity
Thomas Lin writes: As a boy in Shanghai, China, Yitang Zhang believed he would someday solve a great problem in mathematics. In 1964, at around the age of nine, he found a proof of the Pythagorean theorem, which describes the relationship between the lengths of the sides of any right triangle. He was 10 when he first learned about two famous number theory problems, Fermat’s last theorem and the Goldbach conjecture. While he was not yet aware of the centuries-old twin primes conjecture, he was already taken with prime numbers, often described as indivisible “atoms” that make up all other natural numbers.
But soon after, the anti-intellectual Cultural Revolution shuttered schools and sent him and his mother to the countryside to work in the fields. Because of his father’s troubles with the Communist Party, Zhang was also unable to attend high school. For 10 years, he worked as a laborer, reading books on math, history and other subjects when he could.
Not long after the revolution ended, Zhang, then 23, enrolled at Peking University and became one of China’s top math students. After completing his master’s at the age of 29, he was recruited by T. T. Moh to pursue a doctorate at Purdue University in Lafayette, Ind. But, promising though he was, after defending his dissertation in 1991 he could not find academic work as a mathematician.
In George Csicsery’s new documentary film Counting From Infinity, Zhang discusses his difficulties at Purdue and in the years that followed. He says his doctoral adviser never wrote recommendation letters for him. (Moh has written that Zhang did not ask for any.) Zhang admits that his shy, quiet demeanor didn’t help in building relationships or making himself known to the wider math community. During this initial job-hunting period, Zhang sometimes lived in his car, according to his friend Jacob Chi, music director of the Pueblo Symphony in Colorado. In 1992, Zhang began working at another friend’s Subway sandwich restaurant. For about seven years he worked odd jobs for various friends.
In 1999, at 44, Zhang caught a break. [Continue reading…]
Music: Jon Hassell — ‘Paris II’
Stardust
Ray Jayawardhana writes: Joni Mitchell beat Carl Sagan to the punch. She sang “we are stardust, billion-year-old carbon” in her 1970 song “Woodstock.” That was three years before Mr. Sagan wrote about humans’ being made of “star-stuff” in his book “The Cosmic Connection” — a point he would later convey to a far larger audience in his 1980 television series, “Cosmos.”
By now, “stardust” and “star-stuff” have nearly turned cliché. But that does not make the reality behind those words any less profound or magical: The iron in our blood, the calcium in our bones and the oxygen we breathe are the physical remains — ashes, if you will — of stars that lived and died long ago.
That discovery is relatively recent. Four astrophysicists developed the idea in a landmark paper published in 1957. They argued that almost all the elements in the periodic table were cooked up over time through nuclear reactions inside stars — rather than in the first instants of the Big Bang, as previously thought. The stuff of life, in other words, arose in places and times somewhat more accessible to our telescopic investigations.
Since most of us spend our lives confined to a narrow strip near Earth’s surface, we tend to think of the cosmos as a lofty, empyrean realm far beyond our reach and relevance. We forget that only a thin sliver of atmosphere separates us from the rest of the universe. [Continue reading…]
Music: Sidsel Endersen & Bugge Wesseltoft — ‘River’
How useful is the idea of the Anthropocene?
Jedediah Purdy writes: As much as a scientific concept, the Anthropocene is a political and ethical gambit. Saying that we live in the Anthropocene is a way of saying that we cannot avoid responsibility for the world we are making. So far so good. The trouble starts when this charismatic, all-encompassing idea of the Anthropocene becomes an all-purpose projection screen and amplifier for one’s preferred version of ‘taking responsibility for the planet’.
Peter Kareiva, the controversial chief scientist of the Nature Conservancy, uses the theme ‘Conservation in the Anthropocene’ to trash environmentalism as philosophically naïve and politically backward. Kareiva urges conservationists to give up on wilderness and embrace what the writer Emma Marris calls the ‘rambunctious garden’. Specifically, Kareiva wants to rank ecosystems by the quality of ‘ecosystem services’ they provide for human beings instead of ‘pursuing the protection of biodiversity for biodiversity’s sake’. He wants a pro‑development stance that assumes that ‘nature is resilient rather than fragile’. He insists that: ‘Instead of scolding capitalism, conservationists should partner with corporations in a science-based effort to integrate the value of nature’s benefits into their operations and cultures.’ In other words, the end of nature is the signal to carry on with green-branded business as usual, and the business of business is business, as the Nature Conservancy’s partnerships with Dow, Monsanto, Coca-Cola, Pepsi, J P Morgan, Goldman Sachs and the mining giant Rio Tinto remind us.
Kareiva is a favourite of Andrew Revkin, the roving environmental maven of The New York Times Magazine, who touts him as a paragon of responsibility-taking, a leader among ‘scholars and doers who see that new models for thinking and acting are required in this time of the Anthropocene’. This pair and their friends at the Breakthrough Institute in California can be read as making a persistent effort to ‘rebrand’ environmentalism as humanitarian and development-friendly (and capture speaking and consultancy fees, which often seem to be the major ecosystem services of the Anthropocene). This is itself a branding strategy, an opportunity to slosh around old plonk in an ostentatiously shiny bottle. [Continue reading…]
Music: Bugge Wesseltoft & Dhafer Youssef
Searching the web creates an illusion of knowledge
Tom Jacobs writes: Surely you have noticed: A lot of people who have no idea what they are talking about are oddly certain of their superior knowledge. While this disconnect has been a problem throughout human history, new research suggests a ubiquitous feature of our high-tech world — the Internet — has made matters much worse.
In a series of studies, a Yale University research team led by psychologist Matthew Fisher shows that people who search for information on the Web emerge from the process with an inflated sense of how much they know — even regarding topics that are unrelated to the ones they Googled.
This illusion of knowledge appears to be “driven by the act of searching itself,” they write in the Journal of Experimental Psychology: General. Apparently conflating seeking information online with racking one’s brain, people consistently mistake “outsourced knowledge for internal knowledge.” [Continue reading…]
Music: Bungalove — ‘Maracanã’
Why do memes go viral, and should we care?
Abby Rabinowitz writes: On April 11, 2012, Zeddie Little appeared on Good Morning America, wearing the radiant, slightly perplexed smile of one enjoying instant fame. About a week earlier, Little had been a normal, if handsome, 25-year-old trying to make it in public relations. Then on March 31, he was photographed amid a crowd of runners in a South Carolina race by a stranger, Will King, who posted the image to a social networking website, Reddit. Dubbed “Ridiculously Photogenic Guy,” Little’s picture circulated on Facebook, Twitter, and Tumblr, accruing likes, comments, and captions (“Picture gets put up as employee of the month/for a company he doesn’t work for”). It spawned spinoffs (Ridiculously Photogenic Dog, Prisoner, and Syrian Rebel) and leapt to the mainstream media. At a high point, ABC Morning News reported that a Google search for “Zeddie Little” yielded 59 million hits.
Why the sudden fame? The truth is that Little hadn’t become famous: His meme had. According to website Know Your Meme, which documents viral Internet phenomena, a meme is “a piece of content or an idea that’s passed from person to person, changing and evolving along the way.” Ridiculously Photogenic Guy is a kind of Internet meme represented by LOL cats: that is, a photograph, video, or cartoon, often overlaid with a snarky message, perfect for incubating in the bored, fertile minds of cubicle workers and college students. In an age where politicians campaign through social media and viral marketers ponder the appeal of sneezing baby pandas, memes are more important than ever—however trivial they may seem.
But trawling the Internet, I found a strange paradox: While memes were everywhere, serious meme theory was almost nowhere. Richard Dawkins, the famous evolutionary biologist who coined the word “meme” in his classic 1976 book, The Selfish Gene, seemed bent on disowning the Internet variety, calling it a “hijacking” of the original term. The peer-reviewed Journal of Memetics folded in 2005. “The term has moved away from its theoretical beginnings, and a lot of people don’t know or care about its theoretical use,” philosopher and meme theorist Daniel Dennett told me. What has happened to the idea of the meme, and what does that evolution reveal about its usefulness as a concept? [Continue reading…]
Music: National Health — ‘Apocalypso’
(From Of Queues and Cures, 1978)
Music: Robert Wyatt — ‘Little Red Riding Hood Hit The Road’
(From Rock Bottom, 1974)
Inside the new social science of genetics
David Dobbs writes: A few years ago, Gene Robinson, of Urbana, Illinois, asked some associates in southern Mexico to help him kidnap some 1,000 newborns. For their victims they chose bees. Half were European honeybees, Apis mellifera ligustica, the sweet-tempered kind most beekeepers raise. The other half were ligustica’s genetically close cousins, Apis mellifera scutellata, the African strain better known as killer bees. Though the two subspecies are nearly indistinguishable, the latter defend territory far more aggressively. Kick a European honeybee hive and perhaps a hundred bees will attack you. Kick a killer bee hive and you may suffer a thousand stings or more. Two thousand will kill you.
Working carefully, Robinson’s conspirators — researchers at Mexico’s National Center for Research in Animal Physiology, in the high resort town of Ixtapan de la Sal — jiggled loose the lids from two African hives and two European hives, pulled free a few honeycomb racks, plucked off about 250 of the youngest bees from each hive, and painted marks on the bees’ tiny backs. Then they switched each set of newborns into the hive of the other subspecies.
Robinson, back in his office at the University of Illinois at Urbana-Champaign’s Department of Entomology, did not fret about the bees’ safety. He knew that if you move bees to a new colony in their first day, the colony accepts them as its own. Nevertheless, Robinson did expect the bees would be changed by their adoptive homes: He expected the killer bees to take on the European bees’ moderate ways and the European bees to assume the killer bees’ more violent temperament. Robinson had discovered this in prior experiments. But he hadn’t yet figured out how it happened.
He suspected the answer lay in the bees’ genes. He didn’t expect the bees’ actual DNA to change: Random mutations aside, genes generally don’t change during an organism’s lifetime. Rather, he suspected the bees’ genes would behave differently in their new homes — wildly differently.
This notion was both reasonable and radical. Scientists have known for decades that genes can vary their level of activity, as if controlled by dimmer switches. Most cells in your body contain every one of your 22,000 or so genes. But in any given cell at any given time, only a tiny percentage of those genes is active, sending out chemical messages that affect the activity of the cell. This variable gene activity, called gene expression, is how your body does most of its work. [Continue reading…]
Music: Matching Mole — ‘O Caroline’
(From Matching Mole, 1972)
Music: Caravan — ‘Nine Feet Underground’
(From In the Land of Grey and Pink, 1971)
Music: Hatfield and the North — ‘Mumps: Your Majesty Is Like A Cream Doughnut…’
(From The Rotter’s Club, 1975)