Matthew Power writes: From the darkness of a box in the Nevada desert, he watched as three men trudged down a dirt road in Afghanistan. The box was kept cold—precisely sixty-eight degrees—and the only light inside came from the glow of monitors. The air smelled spectrally of stale sweat and cigarette smoke. On his console, the image showed the midwinter landscape of eastern Afghanistan’s Kunar Province—a palette of browns and grays, fields cut to stubble, dark forests climbing the rocky foothills of the Hindu Kush. He zoomed the camera in on the suspected insurgents, each dressed in traditional shalwar kameez, long shirts and baggy pants. He knew nothing else about them: not their names, not their thoughts, not the thousand mundane and profound details of their lives.
He was told that they were carrying rifles on their shoulders, but for all he knew, they were shepherd’s staffs. Still, the directive from somewhere above, a mysterious chain of command that led straight to his headset, was clear: confirmed weapons. He switched from the visible spectrum—the muted grays and browns of “day-TV”—to the sharp contrast of infrared, and the insurgents’ heat signatures stood out ghostly white against the cool black earth. A safety observer loomed behind him to make sure the “weapon release” was by the book. A long verbal checklist, his targeting laser locked on the two men walking in front. A countdown—three…two…one…—then the flat delivery of the phrase “missile off the rail.” Seventy-five hundred miles away, a Hellfire flared to life, detached from its mount, and reached supersonic speed in seconds.
It was quiet in the dark, cold box in the desert, except for the low hum of machines.
He kept the targeting laser trained on the two lead men and stared so intently that each individual pixel stood out, a glowing pointillist dot abstracted from the image it was meant to form. Time became almost ductile, the seconds stretched and slowed in a strange electronic limbo. As he watched the men walk, the one who had fallen behind seemed to hear something and broke into a run to catch up with the other two. Then, bright and silent as a camera flash, the screen lit up with white flame.
Airman First Class Brandon Bryant stared at the scene, unblinking in the white-hot clarity of infrared. He recalls it even now, years later, burned into his memory like a photo negative: “The smoke clears, and there’s pieces of the two guys around the crater. And there’s this guy over here, and he’s missing his right leg above his knee. He’s holding it, and he’s rolling around, and the blood is squirting out of his leg, and it’s hitting the ground, and it’s hot. His blood is hot. But when it hits the ground, it starts to cool off; the pool cools fast. It took him a long time to die. I just watched him. I watched him become the same color as the ground he was lying on.”
That was Brandon Bryant’s first shot. It was early 2007, a few weeks after his twenty-first birthday, and Bryant was a remotely-piloted-aircraft sensor operator—a “sensor” for short—part of a U.S. Air Force squadron that flew Predator drones in the skies above Iraq and Afghanistan. Beginning in 2006, he worked in the windowless metal box of a Ground Control Station (GCS) at Nellis Air Force Base, a vast sprawl of tarmac and maintenance hangars at the edge of Las Vegas.
The airmen kept the control station dark so they could focus on controlling their MQ-1B Predators circling two miles above the Afghan countryside. Bryant sat in a padded cockpit chair. He had a wrestler’s compact build, a smooth-shaved head, and a piercing ice blue gaze frequently offset by a dimpled grin. As a sensor, his job was to work in tandem with the drone’s pilot, who sat in the chair next to him. While the pilot controlled the drone’s flight maneuvers, Bryant acted as the Predator’s eyes, focusing its array of cameras and aiming its targeting laser. When a Hellfire was launched, it was a joint operation: the pilot pulled a trigger, and Bryant was responsible for the missile’s “terminal guidance,” directing the high-explosive warhead by laser to its desired objective. Both men wore regulation green flight suits, an unironic Air Force nod to the continuity of military decorum in the age of drone warfare.
Since its inception, the drone program has been largely hidden, its operational details gathered piecemeal from heavily redacted classified reports or stage-managed media tours by military public-affairs flacks. Bryant is one of very few people with firsthand experience as an operator who has been willing to talk openly, to describe his experience from the inside. While Bryant considers leakers like Chelsea Manning and Edward Snowden heroes willing to sacrifice themselves for their principles, he’s cautious about discussing some of the details to which his top-secret clearance gave him access. Still, he is a curtain drawn back on the program that has killed thousands on our behalf. [Continue reading…]
“With attention to the unseen,” yes: thank you for drawing attention to the particulars, and to the mysteries; things we hold in common. My teacher, who believed in “ground-path-fruition,” was aware that we cannot synthesize sensations until we have responded to initial reactions combining emotive and intellectual stimuli with every pore of our human capacity. There is no fruition without first loving the ground. There is no “path” without eyes wide open, open to vitalities along the way.
I love this line in the article: “He knew nothing else about them: not their names, not their thoughts, not the thousand mundane and profound details of their lives.” My teacher also said, “the local is the only universal.” In other words, we each experience love, tenderness, regret, disappointment, duty, surprises and the specificity of our individual lives is something we actually have in common: and so we sympathize. We even empathize when our own context(s) become so close to “the ‘Other’s'” context(s). Soon, there is no “enemy”–only possibility. To find outrageous common bonds is not only the stuff of poetry, it’s the stuff of open living–not in any box, not at the deadlock or fade-away of a screen, not at the level of group decision, not at the over generalized and therefore false renderings of “good” and “evil”. . . but to celebrate the gray, the point missed, the human error that seeks a new order widening our humanity. There are no errors, only interactions. What “drones” in the sky with remote eyes is a byproduct of our own “droning”: where for art thou engaging, eye to eye? We are at a distance but at a distance connected. May we see the poetry in this. May our eyes and ears guide us; may we meet strangers face to face and on terms that bring us the most together. May we recognize our mutuality in the “thousand mundane and profound details of their lives.” Eventually, may we do no harm.