Muhammad Idrees Ahmad writes: Earlier this month, the British street artist Banksy produced a video on Syria that attracted over five million viewers in three days. At a time of intensifying state repression, the target of Bansky’s satire was not the regime in Damascus but its opponents. By contrast, the most-watched video from the chemical attack in August, showing a traumatized young survivor, managed only half a million hits in over a month.

Six weeks after the attacks on Ghouta, the belt of densely populated suburbs of Damascus, that killed hundreds of civilians, regime forces have choked off food supplies to the targeted neighborhoods. Survivors of the chemical attack are now facing the threat of starvation. Children have been reduced to eating leaves; clerics have issued fatwas allowing people to eat cats and dogs.

The belated discovery of the Syrian conflict by “anti-imperialists” after the US government threatened war has inspired impassioned commentary. The strangulation of its vulnerable population has occasioned silence. But dog whistles from issue-surfing provocateurs like Banksy are unexceptional; they merit closer scrutiny when they come from respected essayists like David Bromwich.

In a recent front-page article for the London Review of Books, Bromwich identifies many rogues in the Syrian drama: Barack Obama, John Kerry, Saudi Arabia, Qatar, “the jihadists.” Conspicuously absent is Assad’s Baathist regime. Vladimir Putin is the closest Bromwich admits to a hero. The Syrian people are denied even a cameo.

When the Yale literature professor uses a tautology like “anti-government insurgency” to refer to Assad’s opponents, it is reasonable to assume intention. The word “government” conveys a certain benign authority; and when it is also said to be opposed by the universally reviled “jihadists,” then there is only one place a bien pensant reader can invest sympathy — and it’s not with the opposition. [Continue reading…]