Michael Meyer writes: Depending on whom you ask, Evgeny Morozov is either the most astute, feared, loathed, or useless writer about digital technology working today. Just 29 years old, from an industrial town in Belarus, he appeared as if out of nowhere in the late aughts, amid the conference-goers and problem solvers working to shape our digital futures, a hostile messenger from a faraway land brashly declaring the age of big ideas and interconnected bliss to be, well, bullshit.
To say that Morozov has gone out of his way to irritate powerful and influential people in the tech world doesn’t quite capture it. Doing so is his primary occupation. In the Morozovian worldview, New York University professor and social-media theorist Clay Shirky is a “consultant-cum-intellectual”; Google’s mission is to “monetize all of the world’s information and make it universally inaccessible and profitable”; and Tim O’Reilly, the Silicon Valley publisher and venture capitalist who coined “Web 2.0,” is an Orwellian “meme hustler” and the main culprit behind “the enduring emptiness of our technology debates.” To millions of viewers, TED talks are inspirational speeches about “ideas worth spreading” in science and technology. To Morozov they are a “sinister” hyping of “ideas no footnotes can support.”
Or try this passage. It’s a takedown of a work of technological triumphalism called Hybrid Reality, but it doubles as a summary of his thinking about the entirety of the tech discourse: “[P]erhaps this is what the Hybrid Age is all about: marketing masquerading as theory, charlatans masquerading as philosophers, a New Age cult masquerading as a university, business masquerading as redemption, slogans masquerading as truths.”
The entire Morozov aesthetic is in this sentence: the venom, the derision, the reverse jujitsu of his opponents’ sanctimony, the bald accusation that all the talk about a new age of human flourishing is nothing but an attempt to vamp the speaker’s consulting business. Tech enthusiasts channel hope. Tech skeptics channel worry. Morozov channels anger, and this can be a very satisfying emotion to anyone unconvinced that everything is getting better. Leon Wieseltier, who has published some of Morozov’s most acid criticism at The New Republic, compares him to the ferocious jazz musician Charles Mingus, who once responded to an interviewer who accused him of “hollerin’ ” by saying, “I feel like hollerin’.” I asked Morozov if he considers his Twitter feed, which spews a constant stream of invective and absurdist satire, to be performative. This was a bit like asking Mingus if he considers jazz performative. “Absolutely,” he said. “I consider it art.”
At some point, though, the hollerin’ ends, everyone’s feelings are hurt, and it’s time to talk about what we’ve learned. Because Morozov isn’t just an “intellectual hit man,” as one writer put it. He wants to be taken seriously, and he has the output to demand it. He’s written two New York Times Notable Books of the year, and his influence is global and growing. He’s published dozens of essays in some of the world’s most prestigious publications, and his monthly column, besides appearing in Slate, is translated for leading newspapers in Germany, Spain, Italy, China, and several other countries. In Morozov’s estimation, if Google executive chairman Eric Schmidt pays attention to him at all it’s not because he can publish an op-ed in The New York Times, but because he can publish an op-ed across Europe. [Continue reading…]