After cybersleuth Barack Obama saw the evidence pointing at North Korea’s responsibility for the cyberattacks against Sony, “he had no doubt,” the New York Times melodramatically reports.

He had no doubt about what? That his intelligence analysts knew what they were talking about? Or that he too when presented with the same evidence was forced to reach the same conclusion?

I have no doubt that had Obama been told by those same advisers that North Korea was not behind the attacks, he would have accepted that conclusion. In other words, on matters about which he lacks the expertise to reach any conclusion, he relies on the expertise of others.

A journalist who tells us about the president having “no doubt” in such as situation is merely dressing up his narrative with some Hollywood-style commander-in-chief gravitas.

When one of the reporters in this case, David Sanger, is someone whose cozy ties to government extend to being “an old friend of many, many years” of Ashton Carter, whose nomination as the next Secretary of Defense is almost certain to be approved, you have to wonder whose interests he really serves. Those of his readership or those of the government?

Since Obama and the FBI went out on a limb by asserting that they had no doubt about North Korea’s role in the attacks, they have been under considerable pressure to provide some compelling evidence to back up their claim.

That evidence now comes courtesy of anonymous officials briefing the New York Times and another document from the Snowden trove of NSA documents.

Maybe the evidence really is conclusive, but there are still important unanswered questions.

For instance, as Arik Hesseldahl asks:

why, if the NSA had so fully penetrated North Korea’s cyber operations, did it not warn Sony that an attack of this magnitude was underway, one that apparently began as early as September.

Officials with the NSA and the White House did not immediately respond to requests for comment about the report. A Sony spokeswoman had no comment.

On the one hand we’re being told that the U.S. knew exactly who was behind the Sony attacks because the hackers were under close surveillance by the NSA, and yet at the same time we’re being told that although the NSA was watching the hackers it didn’t figure out what they were doing.

If Hollywood everyone decides to create a satire out of this, they’ll need to come up with a modern-day reworking of the kind of scene that would come straight out of Get Smart — the kind where Maxwell Smart, Agent 86, would be eavesdropping on conversation between his North Korean counterparts, the only problem being, that he doesn’t understand Korean.

The Times report refers to the North Korean hackers using an “attack base” in Shenyang, in north east China. This has been widely reported with the somewhat less cyber-sexy name of the Chilbosan Hotel whose use for these purposes has been known since 2004.

If the attackers wanted to avoid detection, it’s hard to understand why they would have operated out of a location that had been known about for that long and that could so easily be linked to North Korea.

It’s also hard to fathom that having developed its cyberattack capabilities over such an extended period, North Korea would want to risk so much just to try and prevent the release of The Interview.

Michael Daly claims that the regime “recognizes that Hollywood and American popular culture in general constitute a dire threat” — a threat that has apparently penetrated the Hermit Kingdom in the “especially popular” form of Desperate Housewives.

Daly goes on to assert:

a glimpse of Wisteria Lane is enough to give lie to the regime’s propaganda that North Koreans live in a worker’s paradise while its enemies suffer in grinding poverty, driven by envy to plot against Dear Leader.

Of course, as every American who has watched the show knows, Wisteria Lane represents anytown America and the cast could blend in unnoticed at any Walmart or shopping mall.

OK. I won’t deny that American propaganda is much more sophisticated than North Korea’s, but when an American journalist implies that Desperate Housewives offers ordinary North Koreans a glimpse into the lives of ordinary Americans, you have to ask: which population has been more perfectly been brainwashed?

In reality, the dire threat to the North Korean regime in terms of social impact comes not from American popular culture but from much closer: South Korean soap operas.