An editorial in the New York Times says: There is no question that images ridiculing religion, however offensive they may be to believers, qualify as protected free speech in the United States and most Western democracies. There is also no question that however offensive the images, they do not justify murder, and that it is incumbent on leaders of all religious faiths to make this clear to their followers.
But it is equally clear that the Muhammad Art Exhibit and Contest in Garland, Tex., was not really about free speech. It was an exercise in bigotry and hatred posing as a blow for freedom.
That distinction is critical because the conflicts that have erupted over depictions of the Prophet Muhammad, most notably the massacre of staff members at the French satirical weekly Charlie Hebdo in January by two Muslim brothers, have generated a furious and often confused debate about free speech versus hate speech. The current dispute at the American chapter of the PEN literary organization over its selection of Charlie Hebdo for a freedom of expression courage award is a case in point — hundreds of PEN’s members have opposed the selection for “valorizing selectively offensive material.”
Charlie Hebdo is a publication whose stock in trade has always been graphic satires of politicians and religions, whether Catholic, Jewish or Muslim. By contrast, Pamela Geller, the anti-Islam campaigner behind the Texas event, has a long history of declarations and actions motivated purely by hatred for Muslims.
Whether fighting against a planned mosque near ground zero, posting to her venomous blog Atlas Shrugs or organizing the event in Garland, Ms. Geller revels in assailing Islam in terms reminiscent of virulent racism or anti-Semitism. She achieved her provocative goal in Garland — the event was attacked by two Muslims who were shot to death by a traffic officer before they could kill anyone.
Those two men were would-be murderers. But their thwarted attack, or the murderous rampage of the Charlie Hebdo killers, or even the greater threat posed by the barbaric killers of the Islamic State or Al Qaeda, cannot justify blatantly Islamophobic provocations like the Garland event. These can serve only to exacerbate tensions and to give extremists more fuel.
Some of those who draw cartoons of the Prophet Muhammad may earnestly believe that they are striking a blow for freedom of expression, though it is hard to see how that goal is advanced by inflicting deliberate anguish on millions of devout Muslims who have nothing to do with terrorism. As for the Garland event, to pretend that it was motivated by anything other than hate is simply hogwash.