Tahmima Anam writes: In 1971 Ravi Shankar and George Harrison organised a concert in New York City’s Madison Square Gardens to fund relief efforts for war-torn Bangladesh. The album featured the image of a starving child on the cover, which became a symbol of an impoverished country emerging out of the rubble of war. Forty-four years later, another image is now associated with Bangladesh: that of the abandoned refugees who float on the Andaman Sea with no hope of rescue.

We’ve all seen the photographs of these refugees. We’ve seen them hanging their emaciated limbs off the sides of their boats. We’ve seen the scars on their backs,earned in fights over scarce food and water. We’ve read their harrowing stories of their being abandoned at sea, rejected by one government after another.

It is estimated that up to 8,000 refugees are marooned in the sea between Bangladesh and Malaysia. Most of them come from Rakhine state, in Burma, where as members of the Rohingya community they are denied the basic rights of citizenship. The rest are economic migrants from Bangladesh. [Continue reading…]