Michael Harris writes: On April 14, 1934, Richard Byrd went out for his daily walk. The air was the usual temperature: minus 57 degrees Fahrenheit. He stepped steadily through the drifts of snow, making his rounds. And then he paused to listen. Nothing.
He attended, a little startled, to the cloud-high and over-powering silence he had stepped into. For miles around the only other life belonged to a few stubborn microbes that clung to sheltering shelves of ice. It was only 4 p.m., but the land quavered in a perpetual twilight. There was—was there?—some play on the chilled horizon, some crack in the bruised Antarctic sky. And then, unaccountably, Richard Byrd’s universe began to expand.
Later, back in his hut, huddled by a makeshift furnace, Byrd wrote in his diary:
Here were imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! That was what came out of the silence—a gentle rhythm, the strain of a perfect chord, the music of the spheres, perhaps.
It was enough to catch that rhythm, momentarily to be myself a part of it. In that instant I could feel no doubt of man’s oneness with the universe.
Admiral Byrd had volunteered to staff a weather base near the South Pole for five winter months. But the reason he was there alone was far less concrete. Struggling to explain his reasons, Byrd admitted that he wanted “to know that kind of experience to the full . . . to taste peace and quiet and solitude long enough to find out how good they really are.” He was also after a kind of personal liberty, for he believed that “no man can hope to be completely free who lingers within reach of familiar habits.” [Continue reading…]