What the songs of wolves reveal about language

Holly Root-Gutteridge writes: Dialects, or regional differences in the form and use of vocalisations, have been observed in birds, bats, chimpanzees and now an increasingly long list of other species. This has been most beautifully heard in whales, where the songs of humpbacks are transmitted across hundreds of miles, telling a listener which part of the ocean the whale lives in, and tracing its family group by the influences on song formations. The bioacousticians Katharine Payne and Roger Payne first listened to the whales on underwater microphone recordings in the 1960s, and used musical notation to explore the changes that occurred in each male’s song, year on year. Whalesong, heard by humans as long ago as Aristotle, became the subject of intense study and public interest. Their research showed that there were geographic differences in humpback whale songs and that we could tell apart populations just by using those songs, which change throughout their lives. So the whales were controlling their singing and subject to cultural influences. The Paynes had found dialects in whale song. Would we find the same for canids?

Despite their cultural popularity, wolf howls haven’t been the subject of focussed research until recently. Now, following the lead of marine biologists and ornithologists, and with improved sound recording equipment and analysis programs, researchers can study them in depth. The first step in understanding what animals are saying to one another is to figure out what aspects of the voice are functional and what parts are formed by the structure of the throat and mouth, or what is the piano and what is the tune. Studies since the 1960s have shown that the howls that have haunted our dreams for centuries can tell us a lot about the particular wolf vocalising. Like humans, each wolf has its own voice. Each pack also shares howl similarities, making different families sound distinct from each other (wolves respond more favourably to familiar howls). This much we knew. What we didn’t know was whether the differences seen between packs were true of subspecies or of species, and if an Indian wolf howl would be distinct from a Canadian one.

More questions follow. If howls from different subspecies are different, do the howls convey the same message? Is there a shared culture of howl-meanings, where an aggressive howl from a European wolf means the same thing as an aggressive howl of a Himalayan? And can a coyote differentiate between a red wolf howling with aggressive intent and one advertising the desire to mate? Even without grammar or syntax, howls can convey intent, and if the shape of the howl changes enough while the intent remains constant, the foundations of distinctive culture can begin to appear. [Continue reading…]

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