Author Archives: Attention to the Unseen
Discover a society with no absolutes, populated by the ultimate empiricists — people happy without God
Daniel Everett summarizes the lesson for linguistics from his research of the Pirahã people and their language:
The lesson is that language is not something mysterious that is outside the bounds of natural selection, or just popped into being through some mutated gene. But that language is a human invention to solve a human problem. Other creatures can’t use it for the same reason they can’t use a shovel: it was invented by humans, for humans and its success is judged by humans.
Music: Tigran Hamasyan — ‘Longing’
Music: Tigran Hamasyan — ‘To Negate’
Life’s stories
Julie Beck writes: In Paul Murray’s novel Skippy Dies, there’s a point where the main character, Howard, has an existential crisis.“‘It’s just not how I expected my life would be,'” he says.
“‘What did you expect?’” a friend responds.
“Howard ponders this. ‘I suppose—this sounds stupid, but I suppose I thought there’d be more of a narrative arc.’”
But it’s not stupid at all. Though perhaps the facts of someone’s life, presented end to end, wouldn’t much resemble a narrative to the outside observer, the way people choose to tell the stories of their lives, to others and — crucially — to themselves, almost always does have a narrative arc. In telling the story of how you became who you are, and of who you’re on your way to becoming, the story itself becomes a part of who you are.
“Life stories do not simply reflect personality. They are personality, or more accurately, they are important parts of personality, along with other parts, like dispositional traits, goals, and values,” writes Dan McAdams, a professor of psychology at Northwestern University, along with Erika Manczak, in a chapter for the APA Handbook of Personality and Social Psychology. [Continue reading…]
Music: Tigran Hamasyan — ‘The Apple Orchard in Saghmosavanq’
Music: Erik Truffaz Quartet — ‘My Funny Valentine’
Landmark discoveries that were later debunked
Shannon Hall writes: It begins with the smallest anomaly. The first exoplanets were the slightest shifts in a star’s light. The Higgs boson was just a bump in the noise. And the Big Bang sprung from a few rapidly moving galaxies that should have been staying put. Great scientific discoveries are born from puny signals that prompt attention.
And now, another tantalizing, result is gathering steam, stirring the curiosity of physicists worldwide. It’s a bump in the data gathered by the Large Hadron Collider (LHC), the world’s most powerful particle accelerator. If the bump matures into a clearer peak during the LHC’s second run, it could indicate the existence of a new, unexpected particle that’s 2,000 times heavier than the proton. Ultimately, it could provoke a major update to our understanding of physics.
Or it could simply be a statistical fluke, doomed to disappear over time. But the bump currently has a significance level of three sigma, meaning that this little guy just might be here to stay. The rule of thumb in physics is that a one-sigma result could easily be due to random fluctuations, like the fair coin that flipped tails twice. A three-sigma result counts as an observation, worth discussing and publishing. But for physicists to proclaim a discovery, a finding that rewrites textbooks, a result has to be at the five-sigma level. At that point, the chance of the signal arising randomly is only one in a million.
There’s no knowing if the LHC researchers’ new finding is real until they gather more data. And even bigger would-be discoveries — those with five-sigma results and better — have led physicists astray before, raising hopes for new insights into the Universe before being disproved by other data. When pushing the very limits of what we can possibly measure, false positives are always a danger. Here are five examples where seemingly solid findings came undone. [Continue reading…]
Recognizing whales and dolphins as cultural beings
Barbara J. King writes: The idea that our oceans teem with cultural animals — and have for millions of years — is the central conclusion of a new book by two whale scientists. And it’s a convincing one.
Whales and dolphins, as they forage for food and interact with each other in their social units, may learn specific ways of doing things from their mothers or their pod-mates.
Certain killer whales (orcas), for example, learn to hunt communally with such precision that they cause waves to wash seals — of only certain species, because other seals are rejected as prey — off their ice floes and into the sea. And the complex patterned songs of humpback whales evolve so quickly over time and space that only learning can explain it.
“The song being sung at any location can change dramatically into an entirely new form, with new units, new phrases, and new themes within less than a year,” write authors Hal Whitehead and Luke Rendell in their book The Cultural Lives of Whales and Dolphins. “A revolution, rather than an evolution.”
The two scientists, who have been studying sperm whales for a collective half century, offer this working definition of culture: Behavior that is shared by some identifiable group such as a family, community or population, and that is acquired by learning from others.
In order for culture to be ruled in as the primary explanation for some behavior, then, genetics and features of the habitat in which the marine mammals live should be ruled out. [Continue reading…]
Music: Renè Aubry — ‘Frénésie’
In rural Kenya, happiness comes from joining forces
Music: Shankar Tucker with Ankita Joshi — ‘Chal Chal Sakhi’
Music: Mukta — ‘Voices’
Music: Mukta — ‘Suite’
Music: Mukta — ‘Bindi’
Music: Nusrat Fateh Ali Khan & Michael Brook — ‘Night Song’
Marks of ownership
Matthew Battles writes: In ancient Greece, writing arose among traders and artisans doing business in the markets with foreigners and visitors from other cities. Their alphabet emerged not in scribal colleges or the king’s halls, nor was it brought by conquerors, but instead came ashore in the freewheeling, acquisitive, materialistic atmosphere of the agora, the Greek marketplace that also birthed democracy and the public sphere.
The Phoenician letters, transformed by Greeks into the alphabet, share an origin with the Hebrew characters. They crossed the Aegean Sea with trade that flourished between the Greek peninsula and the Canaanite mainland in the ninth century BC. The first alphabetic inscriptions in Greek appear on goods—keepsake vases, containers for oil and olives. The likely earliest such inscription extant, the “Dipylon inscription,” is on a wine jug; it reads something like this: “Whichever dancer dances most fleetly, he shall get me [this vessel]” — a trophy cup. The so-called Cup of Nestor, a clay vessel dating from the eighth century BC, bears an inscription that begins “Nestor’s cup am I, good to drink from.” For the next couple of centuries, Greek letters are used mostly to inscribe dedications — indexing acquisition and ownership in a society where property was the basis of participation in the lettered public sphere.
This was a society of freeborn traders and artisans, a culture that prized beauty, expressiveness, and originality — the perfect environment for the kind of flourishing public space writing seems everywhere to wish to build. And yet the magisterium of writing grows slowly in ancient Greece. Centuries pass before the first texts appear. [Continue reading…]