Lary Wallace writes: We do this to our philosophies. We redraft their contours based on projected shadows, or give them a cartoonish shape like a caricaturist emphasising all the wrong features. This is how Buddhism becomes, in the popular imagination, a doctrine of passivity and even laziness, while Existentialism becomes synonymous with apathy and futile despair. Something similar has happened to Stoicism, which is considered – when considered at all – a philosophy of grim endurance, of carrying on rather than getting over, of tolerating rather than transcending life’s agonies and adversities.
No wonder it’s not more popular. No wonder the Stoic sage, in Western culture, has never obtained the popularity of the Zen master. Even though Stoicism is far more accessible, not only does it lack the exotic mystique of Eastern practice; it’s also regarded as a philosophy of merely breaking even while remaining determinedly impassive. What this attitude ignores is the promise proffered by Stoicism of lasting transcendence and imperturbable tranquility.
It ignores gratitude, too. This is part of the tranquility, because it’s what makes the tranquility possible. Stoicism is, as much as anything, a philosophy of gratitude – and a gratitude, moreover, rugged enough to endure anything. Philosophers who pine for supreme psychological liberation have often failed to realise that they belong to a confederacy that includes the Stoics. [Continue reading…]
Category Archives: Life
The art of not trying
John Tierney writes: Just be yourself.
The advice is as maddening as it is inescapable. It’s the default prescription for any tense situation: a blind date, a speech, a job interview, the first dinner with the potential in-laws. Relax. Act natural. Just be yourself.
But when you’re nervous, how can you be yourself? How you can force yourself to relax? How can you try not to try?
It makes no sense, but the paradox is essential to civilization, according to Edward Slingerland. He has developed, quite deliberately, a theory of spontaneity based on millenniums of Asian philosophy and decades of research by psychologists and neuroscientists.
He calls it the paradox of wu wei, the Chinese term for “effortless action.” Pronounced “ooo-way,” it has similarities to the concept of flow, that state of effortless performance sought by athletes, but it applies to a lot more than sports. Wu wei is integral to romance, religion, politics and commerce. It’s why some leaders have charisma and why business executives insist on a drunken dinner before sealing a deal.
Dr. Slingerland, a professor of Asian studies at the University of British Columbia, argues that the quest for wu wei has been going on ever since humans began living in groups larger than hunter-gathering clans. Unable to rely on the bonds of kinship, the first urban settlements survived by developing shared values, typically through religion, that enabled people to trust one another’s virtue and to cooperate for the common good. [Continue reading…]
Earth faces sixth ‘great extinction’ with 41% of amphibians set to go the way of the dodo
The Observer reports: A stark depiction of the threat hanging over the world’s mammals, reptiles, amphibians and other life forms has been published by the prestigious scientific journal, Nature. A special analysis carried out by the journal indicates that a staggering 41% of all amphibians on the planet now face extinction while 26% of mammal species and 13% of birds are similarly threatened.
Many species are already critically endangered and close to extinction, including the Sumatran elephant, Amur leopard and mountain gorilla. But also in danger of vanishing from the wild, it now appears, are animals that are currently rated as merely being endangered: bonobos, bluefin tuna and loggerhead turtles, for example.
In each case, the finger of blame points directly at human activities. The continuing spread of agriculture is destroying millions of hectares of wild habitats every year, leaving animals without homes, while the introduction of invasive species, often helped by humans, is also devastating native populations. At the same time, pollution and overfishing are destroying marine ecosystems.
“Habitat destruction, pollution or overfishing either kills off wild creatures and plants or leaves them badly weakened,” said Derek Tittensor, a marine ecologist at the World Conservation Monitoring Centre in Cambridge. “The trouble is that in coming decades, the additional threat of worsening climate change will become more and more pronounced and could then kill off these survivors.” [Continue reading…]
Miles King writes: Humans are “the ultimate invasive species” having spread from Africa to every corner of the planet (and beyond) in 100,000 years. In doing so, we have removed the habitats of other species, or affected them by moving other invasive species around, causing pollution and driving climate change. We do so at our peril, because humans depend on nature utterly for our survival.
If it is possible to stop this mass extinction, humans need to take rapid and radical action.
Here are five actions that I think will be needed: [Continue reading…]
How Darkness Visible shined a light
Peter Fulham writes: Twenty-five years ago, in December, 1989, Darkness Visible, William Styron’s account of his descent into the depths of clinical depression and back, appeared in Vanity Fair. The piece revealed in unsparing detail how Styron’s lifelong melancholy at once gave way to a seductive urge to end his own life. A few months later, he released the essay as a book, augmenting the article with a recollection of when the illness first took hold of him: in Paris, as he was about to accept the 1985 Prix mondial Cino Del Duca, the French literary award. By the author’s own acknowledgement, the response from readers was unprecedented. “This was just overwhelming. It was just by the thousands that the letters came in,” he told Charlie Rose. “I had not really realized that it was going to touch that kind of a nerve.”
Styron may have been startled by the outpouring of mail, but in many ways, it’s easy to understand. The academic research on mental illness at the time was relatively comprehensive, but no one to date had offered the kind of report that Styron gave to the public: a firsthand account of what it’s like to have the monstrous condition overtake you. He also exposed the inadequacy of the word itself, which is still used interchangeably to describe a case of the blues, rather than the tempestuous agony sufferers know too well.
Depression is notoriously hard to describe, but Styron managed to split the atom. “I’d feel the horror, like some poisonous fogbank, roll in upon my mind,” he wrote in one chapter. In another: “It is not an immediately identifiable pain, like that of a broken limb. It may be more accurate to say that despair… comes to resemble the diabolical discomfort of being imprisoned in a fiercely overheated room. And because no breeze stirs this cauldron… it is entirely natural that the victim begins to think ceaselessly of oblivion.”
As someone who has fought intermittently with the same illness since college, those sentences were cathartic, just as I suspect they were for the many readers who wrote to Styron disclosing unequivocally that he had saved their lives. As brutal as depression can be, one of the main ways a person can restrain it is through solidarity. You are not alone, Styron reminded his readers, and the fog will lift. Patience is paramount. [Continue reading…]
What is it like to be a bee?
In the minds of many humans, empathy is the signature of humanity and yet if this empathy extends further and includes non-humans we may be suspected of indulging in anthropomorphism — a sentimental projection of our own feelings into places where similar feelings supposedly cannot exist.
But the concept of anthropomorphism is itself a strange idea since it seems to invalidate what should be one of the most basic assumptions we can reasonably make about living creatures: that without the capacity to suffer, nothing would survive.
Just as the deadening of sensation makes people more susceptible to injury, an inability to feel pain would impede any creature’s need to avoid harm.
The seemingly suicidal draw of the moth to a flame is the exception rather than the rule. Moreover the insect is driven by a mistake, not a death wish. It is drawn towards the light, not the heat, oblivious that the two are one.
If humans indulge in projections about the feelings of others — human and non-human — perhaps we more commonly engage in negative projections: choosing to assume that feelings are absent where it would cause us discomfort to be attuned to their presence.
Our inclination is to avoid feeling too much and thus we construct neat enclosures for our concerns.
These enclosures shut out the feelings of strangers and then by extension seal away boundless life from which we have become even more estranged.
Heather Swan writes: It was a warm day in early spring when I had my first long conversation with the entomologist and science studies scholar Sainath Suryanarayanan. We met over a couple of hives I had recently inherited. One was thriving. Piles of dead bees filled the other. Parts of the comb were covered with mould and oozing something that looked like molasses.
Having recently attended a class for hobby beekeepers with Marla Spivak, an entomologist at the University of Minnesota, I was aware of the many different diseases to which bees are susceptible. American foulbrood, which was a mean one, concerned me most. Beekeepers recommended burning all of your equipment if you discovered it in your hives. Some of these bees were alive, but obviously in low spirits, and I didn’t want to destroy them unnecessarily. I called Sainath because I thought he could help me with the diagnosis.
Beekeeping, these days, is riddled with risks. New viruses, habitat loss, pesticides and mites all contribute to creating a deadly labyrinth through which nearly every bee must travel. Additionally, in 2004, mysterious bee disappearances began to plague thousands of beekeepers. Seemingly healthy bees started abandoning their homes. This strange disappearing act became known as colony collapse disorder (CCD).
Since then, the world has seen the decline of many other pollinating species, too. Because honeybees and other pollinators are responsible for pollinating at least one-third of all the food we eat, this is a serious problem globally. Diagnosing bee problems is not simple, but some answers are emerging. A ubiquitous class of pesticides called neonicotinoids have been implicated in pollinator decline, which has fuelled conversations among beekeepers, scientists, policy-makers and growers. A beekeeper facing a failing hive now has to consider not only the health of the hive itself, but also the health of the landscape around the hive. Dead bees lead beekeepers down a path of many questions. And some beekeepers have lost so many hives, they feel like giving up.
When we met at my troubled hives, Sainath brought his own hive tool and veil. He had already been down a path of many questions about bee deaths, one that started in his youth with a fascination for observing insects. When he was 14, he began his ‘Amateur Entomologist’s Record’, where he kept taxonomic notes on such things as wing textures, body shapes, colour patterns and behaviours. But the young scientist’s approach occasionally slipped to include his exuberance, describing one moment as ‘a stupefying experience!’ All this led him to study biology and chemistry in college, then to work on the behavioural ecology of paper wasps during his doctoral studies, and eventually to Minnesota to help Spivak investigate the role of pesticides in CCD.
Sainath had spent several years doing lab and field experiments with wasps and bees, but ultimately wanted to shift from traditional practices in entomology to research that included human/insect relationships. It was Sainath who made me wonder about the role of emotion in science – both in the scientists themselves and in the subjects of their experiments. I had always thought of emotion as something excised from science, but this was impossible for some scientists. What was the role of empathy in experimentation? How do we, with our human limitations, understand something as radically different from us as the honeybee? Did bees have feelings, too? If so, what did that mean for the scientist? For the science? [Continue reading…]
Complex life may be possible in only 10% of all galaxies
Science: The universe may be a lonelier place than previously thought. Of the estimated 100 billion galaxies in the observable universe, only one in 10 can support complex life like that on Earth, a pair of astrophysicists argues. Everywhere else, stellar explosions known as gamma ray bursts would regularly wipe out any life forms more elaborate than microbes. The detonations also kept the universe lifeless for billions of years after the big bang, the researchers say.
“It’s kind of surprising that we can have life only in 10% of galaxies and only after 5 billion years,” says Brian Thomas, a physicist at Washburn University in Topeka who was not involved in the work. But “my overall impression is that they are probably right” within the uncertainties in a key parameter in the analysis.
Scientists have long mused over whether a gamma ray burst could harm Earth. The bursts were discovered in 1967 by satellites designed to spot nuclear weapons tests and now turn up at a rate of about one a day. They come in two types. Short gamma ray bursts last less than a second or two; they most likely occur when two neutron stars or black holes spiral into each other. Long gamma ray bursts last for tens of seconds and occur when massive stars burn out, collapse, and explode. They are rarer than the short ones but release roughly 100 times as much energy. A long burst can outshine the rest of the universe in gamma rays, which are highly energetic photons. [Continue reading…]
The quantum edge
Johnjoe McFadden writes: The point of the most famous thought-experiment in quantum physics is that the quantum world is different from our familiar one. Imagine, suggested the Austrian physicist Erwin Schrödinger, that we seal a cat inside a box. The cat’s fate is linked to the quantum world through a poison that will be released only if a single radioactive atom decays. Quantum mechanics says that the atom must exist in a peculiar state called ‘superposition’ until it is observed, a state in which it has both decayed and not decayed. Furthermore, because the cat’s survival depends on what the atom does, it would appear that the cat must also exist as a superposition of a live and a dead cat until somebody opens the box and observes it. After all, the cat’s life depends on the state of the atom, and the state of the atom has not yet been decided.
Yet nobody really believes that a cat can be simultaneously dead and alive. There is a profound difference between fundamental particles, such as atoms, which do weird quantum stuff (existing in two states at once, occupying two positions at once, tunnelling through impenetrable barriers etc) and familiar classical objects, such as cats, that apparently do none of these things. Why don’t they? Simply put, because the weird quantum stuff is very fragile.
Quantum mechanics insists that all particles are also waves. But if you want to see strange quantum effects, the waves all have to line up, so that the peaks and troughs coincide. Physicists call this property coherence: it’s rather like musical notes being in tune. If the waves don’t line up, the peaks and troughs cancel each other out, destroying coherence, and you won’t see anything odd. When you’re dealing only with a single particle’s wave, on the other hand, it’s easy to keep it ‘in tune’ – it has to line up only with itself. But lining up the waves of hundreds, millions or trillions of particles is pretty much impossible. And so the weirdness gets cancelled out inside big objects. That’s why there doesn’t seem to be anything very indeterminate about a cat.
Nevertheless, wrote Schrödinger in What Is Life? (1944), some of life’s most fundamental building blocks must, like unobserved radioactive atoms, be quantum entities able to perform counterintuitive tricks. Indeed, he went on to propose that life is different from the inanimate world precisely because it inhabits a borderland between the quantum and classical world: a region we might call the quantum edge. [Continue reading…]
Studs Terkel on death and forgiveness in America
Studs Terkel, who put oral history on the American map with one spectacular book after another, was a small man who had a knack for making everyone around him feel larger than life. He taught me the first significant lesson I learned as a book editor — and he didn’t even know it. I stumbled into Pantheon Books in the summer of 1976, hired (on the basis of remarkably little) by André Schiffrin, who ran that pioneering publishing outfit. I had only the most minimal idea of what a book editor was or did, but on one thing I was clear: I was going to put new voices between covers. (I would later start calling them “voices from elsewhere, even when the elsewhere is here.”) I couldn’t have been less interested in well known or famous writers. I was, that is, something of a reverse snob.
Nonetheless, one day that first fall André came into my office with the manuscript of Stud Terkel’s memoir, Talking to Myself, which was to be published the following spring. He asked me to read it because Studs — he claimed — wanted my reaction. A longtime Chicago radio personality, who had even hosted an early, unscripted TV show, “Studs’ Place,” set in a fictional bar (the “Cheers” of its era), he was well known indeed. The first book he and André had done together, Division Street: America, had broken into bestsellerdom and neither of them had ever looked back.
Studs didn’t know me from a hole in the wall, so I didn’t take the request seriously until André returned a few days later to ask whether I had read the manuscript. I hadn’t. He said, “Please do. Studs is waiting anxiously.” Anxiously? That was hard to imagine, but when your boss insists… so I went home, read it, and two days later let him know what I thought. (What could you think, given that Studs was fantastic at what he did?) Soon after, he put me on the phone with Studs to tell him just how good it was and make a few modest, last-minute suggestions.
So many years later, I still remember that unforgettable voice (possibly the last on Earth out of which a cigar emerged) saying something like, “Do you really mean it, Tom?” What I’ll specifically never forget was the quaver in it, the shiver that seemed like a caricature of fear. After all, he was the best-known author I’d ever talked to and, as a young man with enough doubts of my own, it had never crossed my mind that a successful writer might feel vulnerable when it came to his latest work or give a damn about the opinion of a total nobody. In a way, that moment taught me everything I needed to know about the essential vulnerability of the writer and, thanks to Studs, I never looked back.
For years, André, who was his editor, would call me in to take a final look at his oral histories. (It was like sending in the second team.) Only after I left Pantheon did I became Studs’ primary editor. It was the experience of a lifetime. Just to give you a little taste of the man, I’m including excerpts from the only letter of his I still have, typed by hand, filled with X’d out words, and further hand-corrected in pen. It came with the first batch of rough interviews for the final book we worked on together, an oral history of political activism aptly titled Hope Dies Last. By that time, Studs was in his early nineties and still a human dynamo. Maxwell Perkins, whom he mentions, was a famed editor who joined the venerable firm of Scribner’s wanting to publish vibrant young voices and ended up working with, among others, F. Scott Fitzgerald, Ernest Hemingway, and most famously the novelist Thomas Wolfe who simply couldn’t stop writing, which meant that his books involved marathon bouts of editing. Here, then, are the first two paragraphs of that letter in his telegraphese.
“Post-election day,” Studs began. “A hell of a time to write about hope… The ton of stuff — good and less than good. Since what you have is the raw stuff — I have already tossed aside about 20 [interviews] — I shall, of course, begin my cuts shortly after you receive this messy letter.
“You’ll be my Maxwell Perkins, though you don’t wear a hat, and I’m your Thomas Wolfe, though a foot and a half shorter than he was…”
And here’s how he ended: “I’m eagerly looking forward to your reactions when you get this bundle. Horrified [though] you may be by its bulk, remember you’re my Maxwell Perkins. If it works out, I’ll buy you a hat.”
What a guy (even if I never got that hat)! I always considered it appropriately Studsian that the book preceding Hope Dies Last was his oral history of death, Will the Circle Be Unbroken?: Reflections on Death, Rebirth, and Hunger for a Faith. Studs himself died in 2008. Circle has just been reissued in paperback with a new Jane Gross introduction by the New Press, the publishing house that André, who died last December, set up after he was forced out of Pantheon by Sy Newhouse, the right-wing owner of its parent company, Random House.
Given the grim panorama of death these days — from beheadings to pandemics — and the hysteria accompanying it all, I thought it might be both a relief and a change of pace at TomDispatch to turn back to Studs’ oral history of death, which as its editor I can testify is moving and uncannily uplifting. That, of course, is not as odd as it sounds from the man who was the troubadour for the extraordinary ordinary American. Thanks to the kindness of his publisher, the New Press, I’ve chosen two interviews from that book which stayed in my mind these last 13 years: the first focuses on an impulse that may be among the hardest to understand and yet most moving to encounter, forgiveness; and the second, from this country’s medical front lines, centers on a subject that, unfortunately, is still all too timely: the trauma deaths of young Americans from gunshot wounds. This is the only book I ever remember editing while, in some cases, crying. Tom Engelhardt
“You got into my heart violently, but you’re there”
Trauma, death, and forgiveness on the front lines of American life
By Studs Terkel[The following is excerpted from the new paperback edition of Studs Terkel’s oral history of death, Will The Circle Be Unbroken?: Reflections on Death, Rebirth, and Hunger for a Faith, with special thanks to his publisher, the New Press.]
“The Other Son”
Maurine YoungIn contrast to her husband’s introspective nature, she is outgoing, a large-boned woman, overflowing with gusto and ebullience. She frequently laughs out loud.
I’m a forty-six-year-old woman of Jewish-Gentile descent — my father’s a Jew, my mother’s a Gentile. My parents divorced when I was young, and I was raised by my stepfather — raised Catholic. He was a truck driver. My younger brother, Mark, became a truck driver. I went to public school. But I went to the Catholic catechism every Wednesday. I did the confirmation and all that kind of stuff. I got close to age twelve, thirteen, and I began to see what I was saved from. I was saved from Hell. But what Catholicism wasn’t teaching me was what I was saved to. They didn’t tell me how to live with God and experience a taste of Heaven on Earth, now. So I began to pull away from the Church. It just didn’t meet my needs.
The faster we go, the more time we lose
Mark C. Taylor writes: “Sleeker. Faster. More Intuitive” (The New York Times); “Welcome to a world where speed is everything” (Verizon FiOS); “Speed is God, and time is the devil” (chief of Hitachi’s portable-computer division). In “real” time, life speeds up until time itself seems to disappear—fast is never fast enough, everything has to be done now, instantly. To pause, delay, stop, slow down is to miss an opportunity and to give an edge to a competitor. Speed has become the measure of success—faster chips, faster computers, faster networks, faster connectivity, faster news, faster communications, faster transactions, faster deals, faster delivery, faster product cycles, faster brains, faster kids. Why are we so obsessed with speed, and why can’t we break its spell?
The cult of speed is a modern phenomenon. In “The Futurist Manifesto” in 1909, Filippo Tommaso Marionetti declared, “We say that the splendor of the world has been enriched by a new beauty: the beauty of speed.” The worship of speed reflected and promoted a profound shift in cultural values that occurred with the advent of modernity and modernization. With the emergence of industrial capitalism, the primary values governing life became work, efficiency, utility, productivity, and competition. When Frederick Winslow Taylor took his stopwatch to the factory floor in the early 20th century to increase workers’ efficiency, he began a high-speed culture of surveillance so memorably depicted in Charlie Chaplin’s Modern Times. Then, as now, efficiency was measured by the maximization of rapid production through the programming of human behavior.
With the transition from mechanical to electronic technologies, speed increased significantly. The invention of the telegraph, telephone, and stock ticker liberated communication from the strictures imposed by the physical means of conveyance. Previously, messages could be sent no faster than people, horses, trains, or ships could move. By contrast, immaterial words, sounds, information, and images could be transmitted across great distances at very high speed. During the latter half of the 19th century, railway and shipping companies established transportation networks that became the backbone of national and international information networks. When the trans-Atlantic cable (1858) and transcontinental railroad (1869) were completed, the foundation for the physical infrastructure of today’s digital networks was in place.
Fast-forward 100 years. During the latter half of the 20th century, information, communications, and networking technologies expanded rapidly, and transmission speed increased exponentially. But more than data and information were moving faster. Moore’s Law, according to which the speed of computer chips doubles every two years, now seems to apply to life itself. Plugged in 24/7/365, we are constantly struggling to keep up but are always falling further behind. The faster we go, the less time we seem to have. As our lives speed up, stress increases, and anxiety trickles down from managers to workers, and parents to children. [Continue reading…]
When digital nature replaces nature
Diane Ackerman writes: Last summer, I watched as a small screen in a department store window ran a video of surfing in California. That simple display mesmerized high-heeled, pin-striped, well-coiffed passersby who couldn’t take their eyes off the undulating ocean and curling waves that dwarfed the human riders. Just as our ancient ancestors drew animals on cave walls and carved animals from wood and bone, we decorate our homes with animal prints and motifs, give our children stuffed animals to clutch, cartoon animals to watch, animal stories to read. Our lives trumpet, stomp, and purr with animal tales, such as The Bat Poet, The Velveteen Rabbit, Aesop’s Fables, The Wind in the Willows, The Runaway Bunny, and Charlotte’s Web. I first read these wondrous books as a grown-up, when both the adult and the kid in me were completely spellbound. We call each other by “pet” names, wear animal-print clothes. We ogle plants and animals up close on screens of one sort or another. We may not worship or hunt the animals we see, but we still regard them as necessary physical and spiritual companions. It seems the more we exile ourselves from nature, the more we crave its miracle waters. Yet technological nature can’t completely satisfy that ancient yearning.
What if, through novelty and convenience, digital nature replaces biological nature? Gradually, we may grow used to shallower and shallower experiences of nature. Studies show that we’ll suffer. Richard Louv writes of widespread “nature deficit disorder” among children who mainly play indoors — an oddity quite new in the history of humankind. He documents an upswell in attention disorders, obesity, depression, and lack of creativity. A San Diego fourth-grader once told him: “I like to play indoors because that’s where all the electrical outlets are.” Adults suffer equally. It’s telling that hospital patients with a view of trees heal faster than those gazing at city buildings and parking lots. In studies conducted by Peter H. Kahn and his colleagues at the University of Washington, office workers in windowless cubicles were given flat-screen views of nature. They reaped the benefits of greater health, happiness, and efficiency than those without virtual windows. But they weren’t as happy, healthy, or creative as people given real windows with real views of nature.
As a species, we’ve somehow survived large and small ice ages, genetic bottlenecks, plagues, world wars, and all manner of natural disasters, but I sometimes wonder if we’ll survive our own ingenuity. At first glance, it seems like we may be living in sensory overload. The new technology, for all its boons, also bedevils us with speed demons, alluring distractors, menacing highjinks, cyber-bullies, thought-nabbers, calm-frayers, and a spiky wad of miscellaneous news. Some days it feels like we’re drowning in a twittering bog of information. But, at exactly the same time, we’re living in sensory poverty, learning about the world without experiencing it up close, right here, right now, in all its messy, majestic, riotous detail. Like seeing icebergs without the cold, without squinting in the Antarctic glare, without the bracing breaths of dry air, without hearing the chorus of lapping waves and shrieking gulls. We lose the salty smell of the cold sea, the burning touch of ice. If, reading this, you can taste those sensory details in your mind, is that because you’ve experienced them in some form before, as actual experience? If younger people never experience them, can they respond to words on the page in the same way?
The farther we distance ourselves from the spell of the present, explored by all our senses, the harder it will be to understand and protect nature’s precarious balance, let alone the balance of our own human nature. [Continue reading…]
Why the symbol of life is a loop not a helix
Jamie Davies writes: Here is a remarkable fact about identical twins: they have the same DNA, and therefore the same ‘genetic fingerprint’, yet their actual fingerprints (such as they might leave behind on a murder weapon) are different, and can be told apart in standard police observations. Fingerprints are, of course, produced by the pattern of tiny ridges in skin. So, it would appear that certain fine-scale details of our anatomy cannot be determined by a precise ‘genetic blueprint’.
It isn’t only fine details that seem open to negotiation in this way: anyone who has seen Bonsai cultivation knows how the very genes that would normally build a large tree can instead build a miniature-scale model, given a suitable environment. Bonsai trees aren’t completely scaled down, of course: their cells are normal-sized – it’s just that each component is made with fewer of them.
In the 1950 and ’60s, many children were affected by their mothers taking the drug thalidomide while pregnant, when the drug blocked growth of the internal parts of their limbs. Even though growth of the skin is not directly affected by thalidomide, the very short limbs of affected children were covered by an appropriate amount of skin, not the much larger amount that would be needed to cover a normal limb. The growth of the skin cannot, therefore, just be in response to the command of a hard-wired internal blueprint: something much more adaptive must be going on.
Such observations are not troubling for biological science as such. But they are troubling for a certain picture of how biology works. The symbol for this worldview might be the DNA double helix, its complementary twisting strands evoking other interdependent pairs in life: male and female, form and function, living and non-living. DNA on its own is just a chemical polymer, after all, essential for life but not itself alive. Yet it holds out the promise that we can explain living processes purely in terms of the interactions between simple molecules. [Continue reading…]
Nothingness: From a childhood hallucination to the halls of theoretical physics
Alan Lightman writes: My most vivid encounter with Nothingness occurred in a remarkable experience I had as a child of 9 years old. It was a Sunday afternoon. I was standing alone in a bedroom of my home in Memphis Tennessee, gazing out the window at the empty street, listening to the faint sound of a train passing a great distance away, and suddenly I felt that I was looking at myself from outside my body. I was somewhere in the cosmos. For a brief few moments, I had the sensation of seeing my entire life, and indeed the life of the entire planet, as a brief flicker in a vast chasm of time, with an infinite span of time before my existence and an infinite span of time afterward. My fleeting sensation included infinite space. Without body or mind, I was somehow floating in the gargantuan stretch of space, far beyond the solar system and even the galaxy, space that stretched on and on and on. I felt myself to be a tiny speck, insignificant in a vast universe that cared nothing about me or any living beings and their little dots of existence, a universe that simply was. And I felt that everything I had experienced in my young life, the joy and the sadness, and everything that I would later experience, meant absolutely nothing in the grand scheme of things. It was a realization both liberating and terrifying at once. Then, the moment was over, and I was back in my body.
The strange hallucination lasted only a minute or so. I have never experienced it since. Although Nothingness would seem to exclude awareness along with the exclusion of everything else, awareness was part of that childhood experience, but not the usual awareness I would locate within the three pounds of gray matter in my head. It was a different kind of awareness. I am not religious, and I do not believe in the supernatural. I do not think for a minute that my mind actually left my body. But for a few moments I did experience a profound absence of the familiar surroundings and thoughts we create to anchor our lives. It was a kind of Nothingness.
To understand anything, as Aristotle argued, we must understand what it is not, and Nothingness is the ultimate opposition to any thing. To understand matter, said the ancient Greeks, we must understand the “void,” or the absence of matter. Indeed, in the fifth century B.C., Leucippus argued that without the void there could be no motion because there would be no empty spaces for matter to move into. According to Buddhism, to understand our ego we must understand the ego-free state of “emptiness,” called śūnyatā. To understand the civilizing effects of society, we must understand the behavior of human beings removed from society, as William Golding so powerfully explored in his novel Lord of the Flies.
Following Aristotle, let me say what Nothingness is not. It is not a unique and absolute condition. Nothingness means different things in different contexts. From the perspective of life, Nothingness might mean death. To a physicist, it might mean the complete absence of matter and energy (an impossibility, as we will see), or even the absence of time and space. To a lover, Nothingness might mean the absence of the beloved. To a parent, it might mean the absence of children. To a painter, the absence of color. To a reader, a world without books. To a person impassioned with empathy, emotional numbness. To a theologian or philosopher like Pascal, Nothingness meant the timeless and spaceless infinity known only by God. [Continue reading…]
How to save Earth from a cataclysmic extinction event
Tony Hiss talks to E.O. Wilson, the great evolutionary biologist, about how to save life on Earth: Throughout the 544 million or so years since hard-shelled animals first appeared, there has been a slow increase in the number of plants and animals on the planet, despite five mass extinction events. The high point of biodiversity likely coincided with the moment modern humans left Africa and spread out across the globe 60,000 years ago. As people arrived, other species faltered and vanished, slowly at first and now with such acceleration that Wilson talks of a coming “biological holocaust,” the sixth mass extinction event, the only one caused not by some cataclysm but by a single species—us.
Wilson recently calculated that the only way humanity could stave off a mass extinction crisis, as devastating as the one that killed the dinosaurs 65 million years ago, would be to set aside half the planet as permanently protected areas for the ten million other species. “Half Earth,” in other words, as I began calling it—half for us, half for them. A version of this idea has been in circulation among conservationists for some time.
“It’s been in my mind for years,” Wilson told me, “that people haven’t been thinking big enough—even conservationists. Half Earth is the goal, but it’s how we get there, and whether we can come up with a system of wild landscapes we can hang onto. I see a chain of uninterrupted corridors forming, with twists and turns, some of them opening up to become wide enough to accommodate national biodiversity parks, a new kind of park that won’t let species vanish.”
I had also begun to think about such wildland chains as “Long Landscapes,” and Wilson said he liked the idea that they could meet climate change head on: Those that run north-south, like the initiative in the West known as Yellowstone-to-Yukon, can let life move north as things warm up, and those that run east-west may have the benefit of letting life move east, away from the west, which in the future may not see as much rain. “Why, when this thing gets really going,” Wilson said, “you’ll be so surrounded, so enveloped by connected corridors that you’ll almost never not be in a national park, or at any rate in a landscape that leads to a national park.”
Is this Half Earth vision even possible, I wondered, and what might it look like? [Continue reading…]
The way we live our lives in stories
Jonathan Gottschall: There’s a big question about what it is that makes people people. What is it that most sets our species apart from every other species? That’s the debate that I’ve been involved in lately.
When we call the species homo sapiens that’s an argument in the debate. It’s an argument that it is our sapience, our wisdom, our intelligence, or our big brains that most sets our species apart. Other scientists, other philosophers have pointed out that, no, a lot of the time we’re really not behaving all that rationally and reasonably. It’s our upright posture that sets us apart, or it’s our opposable thumb that allows us to do this incredible tool use, or it’s our cultural sophistication, or it’s the sophistication of language, and so on and so forth. I’m not arguing against any of those things, I’m just arguing that one thing of equal stature has typically been left off of this list, and that’s the way that people live their lives inside stories.
We live in stories all day long—fiction stories, novels, TV shows, films, interactive video games. We daydream in stories all day long. Estimates suggest we just do this for hours and hours per day — making up these little fantasies in our heads, these little fictions in our heads. We go to sleep at night to rest; the body rests, but not the brain. The brain stays up at night. What is it doing? It’s telling itself stories for about two hours per night. It’s eight or ten years out of our lifetime composing these little vivid stories in the theaters of our minds.
I’m not here to downplay any of those other entries into the “what makes us special” sweepstakes. I’m just here to say that one thing that has been left off the list is storytelling. We live our lives in stories, and it’s sort of mysterious that we do this. We’re not really sure why we do this. It’s one of these questions — storytelling — that falls in the gap between the sciences and the humanities. If you have this division into two cultures: you have the science people over here in their buildings, and the humanities people over here in their buildings. They’re writing in their own journals, and publishing their own book series, and the scientists are doing the same thing.
You have this division, and you have all this area in between the sciences and the humanities that no one is colonizing. There are all these questions in the borderlands between these disciplines that are rich and relatively unexplored. One of them is storytelling and it’s one of these questions that humanities people aren’t going to be able to figure out on their own because they don’t have a scientific toolkit that will help them gradually, painstakingly narrow down the field of competing ideas. The science people don’t really see these questions about storytelling as in their jurisdiction: “This belongs to someone else, this is the humanities’ territory, we don’t know anything about it.”
What is needed is fusion — people bringing together methods, ideas, approaches from scholarship and from the sciences to try to answer some of these questions about storytelling. Humans are addicted to stories, and they play an enormous role in human life and yet we know very, very little about this subject. [Continue reading… or watch a video of Gottschall’s talk.]
Humanity at the crossroads: Sheldon Solomon on the work of Ernest Becker
A death too certain, too soon
As death kept coming like summer rain, day after day, uncountable, nameless, in Gaza, Syria, Iraq, Africa and all places between, suddenly one death counted above all the others as America lost an imaginary friend.
It stalked abroad, snuck close as two American aid workers caught Ebola and then death swiftly came home — yet only because millions of people felt like they knew one person who in truth was just as much a stranger as all the rest.
How is it that death can seem so removed from our daily lives when it is just as omnipresent now as it always has been?
However much humans may have advanced since we first recognized our mortality, in that recognition itself it seems we have regressed and now understand death less than did our earliest ancestors.
Never has death seemed so foreign, so removed from life, so lacking in inevitability.
And yet, even though we have become adept at postponing death and sheltering ourselves from its appearance, it is no less inevitable for us as it was for those who first considered its meaning.
The most striking difference between us and our ancestors is that we pursue life as though death was an aberration — something that always happens too soon and never seems certain.
Those individuals who not only abandon their effort to outrun death, but instead turn towards it and choose death in preference to life, appear to have betrayed the living. But that’s only because for most of us it’s hard to imagine such all-consuming pain.
This is how the writer, William Styron, described his own descent into hell:
That fall, as the disorder gradually took full possession of my system, I began to conceive that my mind itself was like one of those outmoded small-town telephone exchanges, being gradually inundated by floodwaters: one by one, the normal circuits began to drown, causing some of the functions of the body and nearly all of those of instinct and intellect to slowly disconnect.
There is a well-known checklist of some of these functions and their failures. Mine conked out fairly close to schedule, many of them following the pattern of depressive seizures. I particularly remember the lamentable near disappearance of my voice. It underwent a strange transformation, becoming at times quite faint, wheezy, and spasmodic — a friend observed later that it was the voice of a ninety-year-old. The libido also made an early exit, as it does in most major illnesses — it is the superfluous need of a body in beleaguered emergency. Many people lose all appetite; mine was relatively normal, but I found myself eating only for subsistence: food, like everything else within the scope of sensation, was utterly without savor. Most distressing of all the instinctual disruptions was that of sleep, along with a complete absence of dreams.
Exhaustion combined with sleeplessness is a rare torture. The two or three hours of sleep I was able to get at night were always at the behest of the minor tranquilizer Halcion — a matter which deserves particular notice. For some time now many experts in psychopharmacology have warned that the benzodiazepine family of tranquilizers, of which Halcion is one (Valium and Ativan are others), is capable of depressing mood and even precipitating a major depression. Over two years before my siege, an insouciant doctor had prescribed Avitan as a bedtime aid, telling me airily that I could take it as casually as aspirin. The Physician’s Desk Reference manual, the pharmacological bible, reveals that the medicine I had been ingesting was (a) three times the normally prescribed strength, (b) not advisable as a medication for more than a month or so, and (c) to be used with special caution by people of my age. At the time of which I am speaking, I had become addicted to Halcion as a sleeping aid, and was consuming large doses. It seems reasonable to think that this was still another contributory factor to the trouble that had come upon me. Certainly, it should be a caution to others.
At any rate, my few hours of sleep were usually terminated at three or four in the morning, when I stared up into yawning darkness, wondering and writhing at the devastation taking place in my mind, and awaiting the dawn, which usually permitted me a feverish, dreamless nap. I’m fairly certain that it was during one of these insomniac trances that there came over me the knowledge — a weird and shocking revelation, like that of some long-beshrouded metaphysical truth — that this condition would cost me my life if it continued on such a course.
What I had begun to discover is that, mysteriously and in ways that are totally remote from normal experience, the gray drizzle of horror induced by depression takes on the quality of physical pain. But it is not an immediately identifiable pain, like that of a broken limb. It may be more accurate to say that despair, owing to some evil trick played upon the sick brain by the inhabiting psyche, comes to resemble the diabolical discomfort of being imprisoned in a fiercely overheated room. And because no breeze stirs this caldron, because there is no escape from this smothering confinement, it is entirely natural that the victim begins to think ceaselessly of oblivion.
But if those in despair appear at risk of abandoning the living, in a death-denying society it is we in our own refusal to look into oblivion, recognizing its draw and its inevitability, who thereby reinforce the isolation of those who find themselves on the edge of this abyss.
When chance surpasses reason
Michael Schulson writes: In the 1970s, a young American anthropologist named Michael Dove set out for Indonesia, intending to solve an ethnographic mystery. Then a graduate student at Stanford, Dove had been reading about the Kantu’, a group of subsistence farmers who live in the tropical forests of Borneo. The Kantu’ practise the kind of shifting agriculture known to anthropologists as swidden farming, and to everyone else as slash-and-burn. Swidden farmers usually grow crops in nutrient-poor soil. They use fire to clear their fields, which they abandon at the end of each growing season.
Like other swidden farmers, the Kantu’ would establish new farming sites ever year in which to grow rice and other crops. Unlike most other swidden farmers, the Kantu’ choose where to place these fields through a ritualised form of birdwatching. They believe that certain species of bird – the Scarlet-rumped Trogon, the Rufous Piculet, and five others – are the sons-in-law of God. The appearances of these birds guide the affairs of human beings. So, in order to select a site for cultivation, a Kantu’ farmer would walk through the forest until he spotted the right combination of omen birds. And there he would clear a field and plant his crops.
Dove figured that the birds must be serving as some kind of ecological indicator. Perhaps they gravitated toward good soil, or smaller trees, or some other useful characteristic of a swidden site. After all, the Kantu’ had been using bird augury for generations, and they hadn’t starved yet. The birds, Dove assumed, had to be telling the Kantu’ something about the land. But neither he, nor any other anthropologist, had any notion of what that something was.
He followed Kantu’ augurers. He watched omen birds. He measured the size of each household’s harvest. And he became more and more confused. Kantu’ augury is so intricate, so dependent on slight alterations and is-the-bird-to-my-left-or-my-right contingencies that Dove soon found there was no discernible correlation at all between Piculets and Trogons and the success of a Kantu’ crop. The augurers he was shadowing, Dove told me, ‘looked more and more like people who were rolling dice’. [Continue reading…]